{"id":1388,"date":"2020-04-11T22:37:44","date_gmt":"2020-04-12T02:37:44","guid":{"rendered":"http:\/\/www.chaerinkim.com\/blog\/?page_id=1388"},"modified":"2020-11-18T13:53:51","modified_gmt":"2020-11-18T18:53:51","slug":"slovencina-slovak-rendezvous","status":"publish","type":"page","link":"https:\/\/www.chaerinkim.com\/blog\/?page_id=1388","title":{"rendered":"sloven\u010dina &#8211; Slovak Rendezvous"},"content":{"rendered":"\n<p class=\"has-text-align-center has-small-font-size wp-block-paragraph\">View in: <a href=\"http:\/\/www.chaerinkim.com\/blog\/?page_id=1837\">English <\/a>| <a href=\"http:\/\/www.chaerinkim.com\/blog\/?page_id=1409\">Espa\u00f1ol<\/a> | <a href=\"http:\/\/www.chaerinkim.com\/blog\/?page_id=1485\">Fran\u00e7ais<\/a> | <a href=\"http:\/\/www.chaerinkim.com\/blog\/?page_id=1519\">Italiano<\/a> |  <a href=\"http:\/\/www.chaerinkim.com\/blog\/?page_id=1337\">polszczyzna<\/a> | <a href=\"http:\/\/www.chaerinkim.com\/blog\/?page_id=1306\">\u010de\u0161tina<\/a>| <a href=\"http:\/\/www.chaerinkim.com\/blog\/?page_id=1388\">sloven\u010dina<\/a> | <a href=\"http:\/\/www.chaerinkim.com\/blog\/?page_id=1399\">\u0420\u0443\u0441\u0441\u043a\u0438\u0439 \u044f\u0437\u044b\u043a<\/a> | <a href=\"http:\/\/www.chaerinkim.com\/blog\/?page_id=1321\">\u0939\u093f\u0928\u094d\u0926\u0940 <\/a>| <a href=\"http:\/\/www.chaerinkim.com\/blog\/?page_id=1515\">\u666e\u901a\u8bdd<\/a> | <a href=\"http:\/\/www.chaerinkim.com\/blog\/?page_id=1606\">\ud55c\uad6d\uc5b4<\/a> |<a href=\"http:\/\/www.chaerinkim.com\/blog\/?page_id=1375\">Tamazi\u0263t<\/a> | <a href=\"http:\/\/www.chaerinkim.com\/blog\/?page_id=1382\">Taqbaylit<\/a> | <a href=\"http:\/\/www.chaerinkim.com\/blog\/?page_id=1489\">Krey\u00f2l ayisyen <\/a>  <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Rendezvous m\u00e1 celkom 100 r\u00f4znych verzi\u00ed. Skladba sa za\u010dala v roku 2013 klav\u00edrnou verziou. Ke\u010f som za\u010dala p\u00edsa\u0165, bolo neskoro v noci, aj napriek tomu som si sadla za klav\u00edr a za\u010dala hra\u0165 t\u00fato mel\u00f3diu. Pokra\u010dovala som s tokom mel\u00f3die bez toho, aby som urobila jedin\u00fa zmenu alebo \u00fapravu. K\u00fdm som pracovala, predstavovala som si filmov\u00fd synopse v mojej hlave. Dokonca som sa nahrala, \u200b\u200bpreto\u017ee som si chcela pam\u00e4ta\u0165 v\u0161etky improvizovan\u00e9 mel\u00f3die! Z tejto p\u00f4vodnej verzie klav\u00edra som skomponovala 100 verzi\u00ed Rendezvous, vr\u00e1tane verzi\u00ed pre orchester, harfu, klav\u00edr a hlas, pri\u010dom texty u\u017e boli prelo\u017een\u00e9 do 80 jazykov.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Po dokon\u010den\u00ed klav\u00edrnej verzie som chcela nap\u00edsa\u0165 texty a\nurobi\u0165 z nich piese\u0148. Zatia\u013e \u010do som p\u00f4vodne p\u00edsala texty v k\u00f3rej\u010dine, za\u010dala\nsom \u0161tudova\u0165 in\u00e9 jazyky, preto\u017ee som si myslela, \u017ee by bolo pekn\u00e9 prelo\u017ei\u0165\ntexty tejto piesne do mnoh\u00fdch r\u00f4znych kr\u00e1snych jazykov! Nahrala som v\u0161etk\u00fdch 80\nverzi\u00ed, sna\u017eila som sa \u010do najviac vyslovova\u0165. D\u00fafaj\u00fac, \u017ee \u200b\u200bjedn\u00e9ho d\u0148a m\u00f4\u017eu spev\u00e1ci\nzo v\u0161etk\u00fdch t\u00fdchto kraj\u00edn spieva\u0165 t\u00fato piese\u0148, aby vlo\u017eili n\u00e1dej a srde\u010dn\u00e9\npocity do s\u0155dc in\u00fdch \u013eud\u00ed!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">V\u00e4\u010d\u0161ina piesn\u00ed je nap\u00edsan\u00e1 v zn\u00e1mom 4\/4 takte \u201eprezen\u010dnom t\u00f3ne\u201c, ale t\u00fato piese\u0148 som nap\u00edsala v \u00be takte, ktor\u00fd dok\u00e1\u017ee vyjadri\u0165 sm\u00fatok prostredn\u00edctvom pomal\u00e9ho, stabiln\u00e9ho tempa so siln\u00fdmi a slab\u00fdmi \u00fadermi, \u0161\u0165astn\u00fdm \u017eiariv\u00fdm v\u00e1nkom waltzu<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/WMyu4k71gTc\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"300\" height=\"240\" frameborder=\"0\"><\/iframe><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/QC08V9vnGcs\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"300\" height=\"240\" frameborder=\"0\"><\/iframe><\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><em>Link to Full Playlist (with all 80 languages)<\/em><br><a href=\"https:\/\/www.youtube.com\/playlist?list=PLivgfHFrhUOHSgJat-Qd6Ey3cyvC9EFiv\"><em>https:\/\/www.youtube.com\/playlist?list=PLivgfHFrhUOHSgJat-Qd6Ey3cyvC9EFiv <\/em><\/a><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Kompletn\u00fd zoznam 80 jazykov Rendezvous <\/strong><\/p>\n\n\n\n<figure class=\"wp-block-table\"><table class=\"has-fixed-layout\"><tbody><tr><td> 1.k\u00f3rejsk\u00fd (\u017eena)<br>2. anglick\u00fd <br>3. \u0161panielsky <br>4. kantonsk\u00fd jazyk <br>5.  taliansky <br>6. nemeck\u00fd <br>7. franc\u00fazsky <br>8. mandar\u00ednsky <br>9. alb\u00e1nsky <br>10. gr\u00e9cky  <br>11. hindsk\u00fd <br>12. haitsk\u00fd kreol <br>13. perzsk\u00fd <br>14. Nep\u00e1l <br>15. Telugu <br>16.  Yoruba <br>17. rumunsk\u00fd <br>18. rusk\u00fd <br>19. portugalsk\u00fd <br>20. Swahili <\/td><td>21. ugandsk\u00fd <br>22. Tamil <br>23. Gujarati <br>24. japonsk\u00fd <br>25. vietnamsk\u00fd <br>26. urdsk\u00fd <br>27. Dhivehi <br>28. Bahasa Indonesia <br>29. tureck\u00fd <br>30. Marathi <br>31.  beng\u00e1lsky <br>32. Ambonese Malay <br>33. latinsk\u00fd <br>34. thajsk\u00fd <br>35. Malayalam <br>36. Punjabi <br>37. arabsk\u00fd <br>38. \u0161v\u00e9dsky <br>39. mandar\u00ednsky <br>40. som\u00e1lsky <\/td><td>41. Amharic <br>42. Tagalog <br>43. Hausa <br>44. barmsk\u00fd <br>45. laosk\u00fd <br>46. \u200b\u200bgruz\u00ednsky  <br>47. po\u013esk\u00fd <br>48. kaza\u0161k\u00fd <br>49. ukrajinsk\u00fd <br>50. holandsk\u00fd <br>51. slovensk\u00fd <br>52. litovsk\u00fd <br>53. \u010desky <br>54. srbsk\u00fd <br>55. Cape Verdean Creole <br>56. chorv\u00e1tsky <br>57.  n\u00f3rsky <br>58. maced\u00f3nsky <br>59. slovinsk\u00fd <br>60. bosniask\u00fd <\/td><td>61. d\u00e1nsky <br>62. Tigrinya <br>63. jamajsk\u00fd <br>64. f\u00ednsky <br>65. katal\u00e1nsky <br>66.  Taishanese <br>67. \u010diernohorsk\u00fd <br>68. Bahasa Malajzia <br>69. Hokkien-Taiwanese   <br>70. Zulu <br>71. Kinyarwand  <br>72. ma\u010farsk\u00fd <br>73. Kabyle <br>74. Twi Igbo <br>75. bulharsk\u00fd <br>76. Nig\u00e9rijsk\u00fd pidgin  <br>77. Berber <br>78. hindsk\u00fd master <br>79. mandar\u00ednsky (poetick\u00fd) <br>80. k\u00f3rejsk\u00fd  (mu\u017e) <\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Verzia klav\u00edra Rendezvous je venovan\u00e1 m\u00f4jmu Bohu, mojim rodi\u010dom a tomu, ktor\u00fd je naju\u017e\u0161ie spojen\u00fd s imaginat\u00edvnou osnovou, ktor\u00fa som mala pri skladan\u00ed Rendezvousa na mysli.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Je to o \u017eene a mu\u017eovi, ktor\u00ed sa znova zamiluj\u00fa, preto\u017ee obaja veria, \u017ee s\u00fa milencami z minulosti. \u017dena skr\u00fdva svoju prav\u00fa identitu a predstiera, \u017ee je skuto\u010dnou milenkou mu\u017ea z minulosti. Ako ich romantik\u00fd pr\u03afbeh postupuje, obaja si za\u010d\u00ednaj\u00fa uvedomova\u0165, \u017ee nie s\u00fa milencami z minulosti. Namiesto toho s\u00fa odrazom ich b\u00fdval\u00fdch milencov. Tv\u00e1rou v tv\u00e1r realite ich situ\u00e1cie, p\u00e1r sa sna\u017e\u00ed oddeli\u0165. Ne\u00faspe\u0161n\u00ed vo svojom \u00fasil\u00ed sa nakoniec rozhodn\u00fa prija\u0165 l\u00e1sku a znova sa obj\u00edmu, aj ke\u010f ich d\u00f4vody milova\u0165 sa m\u00f4\u017eu prameni\u0165 z h\u013eadania podobnost\u00ed s\u00a0milencami z minulosti.<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/FUypV3JCHPQ\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"300\" height=\"240\" frameborder=\"0\"><\/iframe><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/AvKkJGahBvE\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"300\" height=\"240\" frameborder=\"0\"><\/iframe><\/p>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h4 class=\"wp-block-heading\">&nbsp;<strong>Pozn\u00e1mka skladate\u013eky<\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Temn\u00e1 \u00favodn\u00e1 t\u00e9ma v&nbsp;A m\u00f3l sa nakoniec zmen\u00ed na \u0161\u0165astnej\u0161iu v A d\u00far, s presne rovnak\u00fdmi notamy. Zmen\u00ed sa iba popis k\u013e\u00fa\u010da &#8211; nezmen\u00ed sa ani interval ani rytmus! Toto predstavuje zrkadlov\u00fd obraz ich minul\u00fdch a s\u00fa\u010dasn\u00fdch milencov a a m\u00f3lov\u00e1 zmena k\u013e\u00fa\u010da na d\u00farov\u00fd kl\u00fa\u010d vyjadruje zmenu sm\u00fatoku na \u0161\u0165astn\u00fd koniec.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">V\u00fdznam tohto dielu je \u201e\u017divot a smr\u0165\u201c.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Skladba sa za\u010d\u00edna na t\u00f3ne A&nbsp; a kon\u010d\u00ed sa na t\u00f3ne&nbsp;A. T\u00e9ma zo za\u010diatku sa vracia na koniec. Zatia\u013e \u010do mel\u00f3dia zost\u00e1va rovnak\u00e1, k\u013e\u00fa\u010dov\u00fd popis sa men\u00ed z&nbsp;A&nbsp;m\u00f3l na A d\u00far, \u010do vyjadruje \u017eivot ako zrkadlov\u00fd obraz smrti.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Prv\u00fd takt som nechala pr\u00e1zdny. Z\u00e1merom je predstava rot\u00e1cie sveta &#8211; cyklus \u017eivota a smrti, ktor\u00fd n\u00e1s v\u0161etk\u00fdch sp\u00e1ja. 3\/4 tempo sa odr\u00e1\u017ea t\u00fdm, \u017ee predstavuje kontrast \u0161\u0165astia a sm\u00fatku &#8211; sk\u00f4r ako 4\/4 tempo, &nbsp;ktor\u00e9 by predstavovalo iba \u0161\u0165astn\u00fd srdcov\u00fd rytmus.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ako skladate\u013eka som si predstavovala obraz mu\u017ea v zimnom kab\u00e1te, ktor\u00fd st\u00e1l na vrchu zasne\u017eenej hory. Jeho lek\u00e1r mu povedal, \u017ee \u010doskoro zomrie. Pozer\u00e1me sa na neho z neba &#8211; skoro ako keby sme ho sledovali pomocou sondy &#8211; aby sme videli, ako je osamel\u00fd tesne pred svojou smr\u0165ou.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00davodn\u00e1 \u010das\u0165 [A] p\u00f4sob\u00ed ako magnet, ktor\u00fd absorbuje a kombinuje v\u0161etky r\u00f4zne farby a t\u00f3ny. Malo by to znie\u0165 \u00famyselne rozmazane, ale st\u00e1le si mus\u00ed zachova\u0165 d\u00f4stojnos\u0165 a discipl\u00ednu. Pozer\u00e1me sa na mu\u017ea z dia\u013eky, k\u00fdm sa on pozer\u00e1 na horu z doliny, zm\u00e4ten\u00fd z toho, \u010di by mal ukon\u010di\u0165 svoj vlastn\u00fd \u017eivot. Zvy\u0161uje sa nap\u00e4tie, ke\u010f o tom uva\u017euje, ke\u010f sa rozhodne, \u017ee by to za to nest\u00e1lo, uvo\u013eni\u0165 dvakr\u00e1t v mm. 8 a mm. 13. Timpany v mm. 17 &#8211; 18 ved\u00fa do hlavnej t\u00e9my.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ke\u010f sa dostaneme do \u010dasti [B], rozostrenie zvuku sa prejav\u00ed po \u00favode hlavnej t\u00e9my. \u010ciernobiele sfarbenie sa zmen\u03af na \u017eiv\u00e9 pastely, ke\u010f si spom\u00edna na v\u0161etky svoje \u017eivotn\u00e9 spomienky v \u010dasti [B] (napr. mm 25 &#8211; 26 m\u00f4\u017eu predstavova\u0165 nap\u00e4t\u00e9 a&nbsp;bolestiv\u00e9 spomienky). Sekcia [C] ilustruje jeho \u0161\u0165astnej\u0161ie spomienky. Jeho pocity s\u00fa na tieto spomienky zmie\u0161an\u00e9, preto\u017ee s\u00fa hork\u00e9, ale st\u00e1le ukazuj\u00fa kr\u00e1sny a bla\u017een\u00fd \u010das vo jeho \u017eivote. Mm. 28 &#8211; 35 ho vedie k t\u00fdmto \u0161\u0165astnej\u0161\u00edm spomienkam, vzostupn\u00e9 l\u00ednie mu pripom\u00ednaj\u00fa veci, ktor\u00e9 chce poveda\u0165 svojim milencom, rodine a priate\u013eom. Pocity, ktor\u00e9 mo\u017ee vyjadri\u0165 len on a ktor\u00e9 dok\u00e1\u017ee vytvori\u0165 len jeho mel\u00f3dia.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">M\u00e4kk\u00e9 timpany v mm. 26 ved\u00fa do \u010dasti [D], kde si mu\u017e spom\u00edna iba na \u0161\u0165astnej\u0161ie \u010dasy. \u013dahk\u00fd tanec v&nbsp;tejto mel\u00f3dii sprev\u00e1dza val\u010d\u00edk violon\u010delo a&nbsp;basa, mu\u017e sa to\u010d\u03af, akoby tancoval s tane\u010dn\u00fdm partnerom. Tancuje s t\u00fdmi, ktor\u00fdch miluje. Ke\u010f piese\u0148 prech\u00e1dza cez sekciu [E] a do sekcie [F], mu\u017e sa postupne upokojuje. Roh podporuje tieto \u010dasti (najm\u00e4 v mm. 48) a husle ved\u00fa mel\u00f3diu, aby vyjadrili jeho osamelos\u0165. Ostatn\u00e9 n\u00e1stroje sa znova zmie\u0161aj\u00fa, ke\u010f si uvedom\u00ed, \u017ee jeho \u017eivot a smr\u0165 s\u00fa jeho vlastn\u00e9 a \u017ee im mus\u00ed \u010deli\u0165.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Nikto za neho nem\u00f4\u017ee zomrie\u0165, rovnako ako pre\u0148ho nikto nemohol \u017ei\u0165 jeho \u017eivot. \u010ci u\u017e jeho rozhodnutia a smerovanie v \u017eivote boli tou najlep\u0161ou vo\u013ebou alebo nie, sna\u017eil sa h\u013eada\u0165 najlep\u0161iu cestu pre seba, bez oh\u013eadu na to, \u010do sa stalo. Zatia\u013e \u010do boli cesty, ktor\u00e9 si nevybral, a \u013eutovuje cesty, ktor\u00e9 vybral. Pochopil, \u017ee \u017eivot je umenie, ktor\u00e9 by ste nemohli vymaza\u0165. Svoje chyby nedok\u00e1zal zakry\u0165, ako to robia maliari &#8211; len sa mohol pou\u010di\u0165 zo svojich ch\u00fdb a \u010falej sa pohybova\u0165 vpred.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sekcia [G] je zanepr\u00e1zdnen\u00e1, hudba r\u00f4zne st\u00fapa a kles\u00e1, ke\u010f sa dost\u00e1vame do jeho mysle a do jeho minulosti. Ka\u017ed\u00e1 z \u010dast\u00ed [H], [I] a [J] predstavuje in\u00fa \u010das\u0165 jeho \u017eivota. \u010cas\u0165 [H] prin\u00e1\u0161a sp\u00e4\u0165 jeho \u0161\u0165astnej\u0161ie spomienky, podobne ako \u010das\u0165 [D]. \u010cas\u0165 [I], kde je volan\u00fd vpred a nem\u00f4\u017ee sa upokoji\u0165, sl\u00fa\u017ei ako most medzi [H] a [J]. V \u010dasti [J] by mali by\u0165 tremoly dobre tvarovan\u00e9, aby reprezentovali zm\u00e4tok v tejto \u010dasti jeho \u017eivota &#8211;&nbsp; v\u0161etky jnedorozumenia, chyby a&nbsp;ch\u00fdbaj\u00face k\u00fasky.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ke\u010f kone\u010dne doraz\u00edme do sekcie [K], vzd\u00e1va sa v\u0161etk\u00e9ho. Jeho du\u0161a je osloboden\u00e1 a je pripraven\u00fd letie\u0165. U\u017e nie je prip\u00fatan\u00fd k svetu nohami &#8211; ale sk\u00f4r m\u00f4\u017ee poveda\u0165 svojej rodine, priate\u013eom a milencom svoje posledn\u00e9 \u017eelania, rovnako ako to rob\u03af v sekcii [L]. V mm. 103 &#8211; 105, hoboje by mali by\u0165 najprominentnej\u0161\u00edm zvukom, ale st\u00e1le by sa mali mie\u0161a\u0165 s jadrom ale nadalej osta\u0165 zaostren\u00e9. V sekcii [M] jeho duch let\u00ed vy\u0161\u0161ie a&nbsp;vy\u0161\u0161ie, tancuje na oblohe. Odp\u00fa\u0161\u0165a \u013eu\u010fom za v\u0161etky krivdy \u010do mu umo\u017e\u0148uje slobodne st\u00fapa\u0165 pod\u013ea vlastn\u00fdch \u017eelan\u03af. Mm. 113 &#8211; 117 vyjadruje tento vzrastaj\u00faci pocit, ke\u010f ide do neba, kde ho Je\u017ei\u0161 vol\u00e1.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Nakoniec v sekcii [O] pou\u017e\u00edva svoj posledn\u00fd dych, aby sa rozl\u00fa\u010dil so svojimi priate\u013emi a milencami a jeho duch kone\u010dne odpo\u010d\u00edva. Ako jeho pr\u00edbeh a piese\u0148 kon\u010d\u03af sa na t\u00f3ne A, pripom\u00edna n\u00e1m, kde v\u0161etko za\u010dalo &#8211; cyklus \u017eivota a smrti, \u0161\u0165astia a sm\u00fatku a&nbsp;m\u00f3lov\u00e9 a&nbsp;d\u00farov\u00e9 stupnice. Od popola po popol, od prachu po prach, Boh vyrez\u00e1va bo\u017esk\u00e9 stvorenie oslavuj\u00face toto stretnutie pr\u00edchodu a odchodu.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>View in: English | Espa\u00f1ol | Fran\u00e7ais | Italiano | polszczyzna | \u010de\u0161tina| sloven\u010dina | \u0420\u0443\u0441\u0441\u043a\u0438\u0439 \u044f\u0437\u044b\u043a | \u0939\u093f\u0928\u094d\u0926\u0940 | \u666e\u901a\u8bdd | \ud55c\uad6d\uc5b4 |Tamazi\u0263t | Taqbaylit | Krey\u00f2l ayisyen Rendezvous m\u00e1 celkom 100 r\u00f4znych verzi\u00ed. Skladba sa za\u010dala v roku 2013 klav\u00edrnou verziou. Ke\u010f som za\u010dala p\u00edsa\u0165, bolo neskoro v noci, aj napriek tomu som&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1388","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.chaerinkim.com\/blog\/index.php?rest_route=\/wp\/v2\/pages\/1388","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.chaerinkim.com\/blog\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.chaerinkim.com\/blog\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.chaerinkim.com\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.chaerinkim.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1388"}],"version-history":[{"count":11,"href":"https:\/\/www.chaerinkim.com\/blog\/index.php?rest_route=\/wp\/v2\/pages\/1388\/revisions"}],"predecessor-version":[{"id":2286,"href":"https:\/\/www.chaerinkim.com\/blog\/index.php?rest_route=\/wp\/v2\/pages\/1388\/revisions\/2286"}],"wp:attachment":[{"href":"https:\/\/www.chaerinkim.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1388"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}