{"id":1306,"date":"2020-04-11T14:52:57","date_gmt":"2020-04-11T18:52:57","guid":{"rendered":"http:\/\/www.chaerinkim.com\/blog\/?page_id=1306"},"modified":"2020-11-18T14:01:53","modified_gmt":"2020-11-18T19:01:53","slug":"cestina-czech-rendezvous","status":"publish","type":"page","link":"https:\/\/www.chaerinkim.com\/blog\/?page_id=1306","title":{"rendered":"\u010de\u0161tina &#8211; Czech Rendezvous"},"content":{"rendered":"\n<p class=\"has-text-align-center has-small-font-size wp-block-paragraph\">View in: <a href=\"http:\/\/www.chaerinkim.com\/blog\/?page_id=1837\">English <\/a>| <a href=\"http:\/\/www.chaerinkim.com\/blog\/?page_id=1409\">Espa\u00f1ol<\/a> | <a href=\"http:\/\/www.chaerinkim.com\/blog\/?page_id=1485\">Fran\u00e7ais<\/a> | <a href=\"http:\/\/www.chaerinkim.com\/blog\/?page_id=1519\">Italiano<\/a> |  <a href=\"http:\/\/www.chaerinkim.com\/blog\/?page_id=1337\">polszczyzna<\/a> | <a href=\"http:\/\/www.chaerinkim.com\/blog\/?page_id=1306\">\u010de\u0161tina<\/a>| <a href=\"http:\/\/www.chaerinkim.com\/blog\/?page_id=1388\">sloven\u010dina<\/a> | <a href=\"http:\/\/www.chaerinkim.com\/blog\/?page_id=1399\">\u0420\u0443\u0441\u0441\u043a\u0438\u0439 \u044f\u0437\u044b\u043a<\/a> | <a href=\"http:\/\/www.chaerinkim.com\/blog\/?page_id=1321\">\u0939\u093f\u0928\u094d\u0926\u0940 <\/a>|<a href=\"http:\/\/www.chaerinkim.com\/blog\/?page_id=1365\">\u0a2a<\/a> <a href=\"http:\/\/www.chaerinkim.com\/blog\/?page_id=1515\">\u666e\u901a\u8bdd<\/a> | <a href=\"http:\/\/www.chaerinkim.com\/blog\/?page_id=1606\">\ud55c\uad6d\uc5b4<\/a> |<a href=\"http:\/\/www.chaerinkim.com\/blog\/?page_id=1375\">Tamazi\u0263t<\/a> | <a href=\"http:\/\/www.chaerinkim.com\/blog\/?page_id=1382\">Taqbaylit<\/a> | <a href=\"http:\/\/www.chaerinkim.com\/blog\/?page_id=1489\">Krey\u00f2l ayisyen <\/a>  <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Rendezvous m\u00e1 celkem 100 r\u016fzn\u00fdch verz\u00ed. Skladba za\u010dala v roce 2013 klav\u00edrn\u00ed verz\u00ed. Kdy\u017e jsem ji za\u010dala ps\u00e1t, bylo ji\u017e velmi pozd\u011b v noci, ale posadila jsem se ke klav\u00edru a za\u010dala hr\u00e1t tuto melodii. Nechala jsem se un\u00e1\u0161et proudem melodie, ani\u017e bych provedla jedinou zm\u011bnu nebo \u00fapravu, p\u0159i\u010dem\u017e jsem si v hlav p\u0159edstavovala filmovou synopsi. Dokonce jsem se nahr\u00e1la, proto\u017ee jsem si cht\u011bla pamatovat v\u0161echny improvizovan\u00e9 melodie! Z t\u00e9to p\u016fvodn\u00ed klav\u00edrn\u00ed verze jsem zaznamenala 100 verz\u00ed Rendezvous, v\u010detn\u011b verz\u00ed pro orchestr, harfu, klav\u00edr a zp\u011bv, s texty ji\u017e p\u0159elo\u017een\u00fdmi do 80 jazyk\u016f.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Po dokon\u010den\u00ed klav\u00edrn\u00ed verze jsem cht\u011bla napsat n\u011bkolik text\u016f a ud\u011blat z n\u00ed p\u00edsni\u010dku. Zat\u00edmco jsem p\u016fvodn\u011b napsala texty v korej\u0161tin\u011b, za\u010dala jsem studovat i jin\u00e9 jazyky, proto\u017ee jsem si myslela, \u017ee by bylo hezk\u00e9 m\u00edt texty k t\u00e9to p\u00edsni v tolika r\u016fzn\u00fdch a kr\u00e1sn\u00fdch jazyc\u00edch! Nahr\u00e1la jsem v\u0161ech 80 verz\u00ed, p\u0159i\u010dem\u017e jsem se co nejv\u00edce sna\u017eila o spr\u00e1vnou v\u00fdslovnost. Doufala jsem, \u017ee jednoho dne budou zp\u011bv\u00e1ci ze v\u0161ech t\u011bchto zem\u00ed zp\u00edvat tuto p\u00edse\u0148, aby dali lidem nad\u011bji a v\u0159el\u00e9 pocity do srdc\u00ed!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">V\u011bt\u0161ina p\u00edsn\u00ed je naps\u00e1na zn\u00e1m\u00fdm 4\/4 \u201etlukotem srdce\u201c, ale j\u00e1 jsem tuto p\u00edse\u0148 napsala ve 3\u20444 taktu, kter\u00fd dok\u00e1\u017ee vyj\u00e1d\u0159it smutek prost\u0159ednictv\u00edm pomal\u00e9ho, st\u00e1l\u00e9ho tempa se siln\u00fdmi downbeaty a slab\u00fdmi upbeaty, ale i radost z\u00e1\u0159iv\u00fdm v\u00e1nkem val\u010d\u00edku. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Klav\u00edrn\u00ed verze Rendezvous je v\u011bnov\u00e1na m\u00e9mu Bohu a m\u00fdm rodi\u010d\u016fm, ale tak\u00e9 tomu, kter\u00fd je neju\u017e\u0161\u00ed vazbou spojen s imaginativn\u00ed synops\u00ed, kterou jsem m\u011bla p\u0159i komponov\u00e1n\u00ed Rendezvous v mysli.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Je to o \u017een\u011b a mu\u017ei, kte\u0159\u00ed se znovu zamilov\u00e1vaj\u00ed, proto\u017ee oba v\u011b\u0159\u00ed, \u017ee jsou navz\u00e1jem milenci z minulosti. \u017dena skr\u00fdv\u00e1 svou pravou identitu a p\u0159edst\u00edr\u00e1, \u017ee je skute\u010dnou milenkou mu\u017ee z minulosti. Jak jejich romantika postupuje, oba si za\u010d\u00ednaj\u00ed uv\u011bdomovat, \u017ee nejsou milenci minulosti. M\u00edsto toho jsou odrazem jejich b\u00fdval\u00fdch milovan\u00fdch. Vzhledem k realit\u011b jejich situace se p\u00e1r sna\u017e\u00ed odd\u011blit. Ne\u00fasp\u011b\u0161n\u00ed ve sv\u00e9m \u00fasil\u00ed se nakonec rozhodnou p\u0159ijmout l\u00e1sku a znovu se obejmout, i kdy\u017e jejich d\u016fvody pro vz\u00e1jemn\u00e9 milov\u00e1n\u00ed mohou pramenit z hled\u00e1n\u00ed podobnost\u00ed minul\u00fdch milenc\u016f.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/WMyu4k71gTc\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"300\" height=\"240\" frameborder=\"0\"><\/iframe><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/QC08V9vnGcs\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"300\" height=\"240\" frameborder=\"0\"><\/iframe><\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\" style=\"font-size:10px\"><em>Link to Full Playlist (with all 80 languages)<\/em><br><a href=\"https:\/\/www.youtube.com\/playlist?list=PLivgfHFrhUOHSgJat-Qd6Ey3cyvC9EFiv\"><em>https:\/\/www.youtube.com\/playlist?list=PLivgfHFrhUOHSgJat-Qd6Ey3cyvC9EFiv <\/em><\/a><\/p>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\" id=\"mce_31\">Complete List of <em>Rendezvous\u2019<\/em> 80 Languages<\/h4>\n\n\n\n<figure class=\"wp-block-table\"><table class=\"has-fixed-layout\"><tbody><tr><td>1. Korean (Female) <br>2. English<br>3. Spanish<br>4. Cantonese<br>5. Italian<br>6. German<br>7. French<br>8. Mandarin<br>9. Albanian<br>10. Greek<br>11. Hindi<br>12. Haitian Creole<br>13. Persian<br>14. Nepali<br>15. Telugu<br>16. Yoruba<br>17. Romanian<br>18. Russian<br>19. Portuguese<br>20. Swahili <\/td><td> <br>21. Luganda<br>22. Tamil<br>23. Gujarati<br>24. Japanese<br>25. Vietnamese<br>26. Urdu<br>27. Dhivehi<br>28. Bahasa Indonesia<br>29. Turkish<br>30. Marathi<br>31. Bengali<br>32. Ambonese Malay<br>33. Latin<br>34. Thai<br>35. Malayalam<br>36. Punjabi<br>37. Arabic<br>38. Swedish<br>39. Mandarin<br>40. Somali  <\/td><td> <br>41. Amharic<br>42. Tagalog<br>43. Hausa<br>44. Burmese<br>45. Lao<br>46. Georgian<br>47. Polish<br>48. Kazakh<br>49. Ukrainian<br>50. Dutch<br>51. Slovak<br>52. Lithuanian<br>53. Czech<br>54. Serbian<br>55. Cape Verdean Creole<br>56. Croatian<br>57. Norwegian<br>58. Macedonian<br>59. Slovenian<br>60. Bosnian  <\/td><td> <br>61. Danish<br>62. Tigrinya<br>63. Jamaican Patios<br>64. Finnish<br>65. Catalan<br>66. Taishanese<br>67. Montenegrin<br>68. Bahasa Malaysia<br>69. Hokkien-Taiwanese  <br>70. Zulu<br>71. Kinyarwand<br>72. Hungarian<br>73. Kabyle<br>74. Twi Igbo<br>75. Bulgarian<br>76. Nigerian Pidgin<br>77. Berber<br>78. Hindi Master<br>79. Mandarin (Poetic)<br>80. Korean (Male)   <\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/FUypV3JCHPQ\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"300\" height=\"240\" frameborder=\"0\"><\/iframe><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/AvKkJGahBvE\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" width=\"300\" height=\"240\" frameborder=\"0\"><\/iframe><\/p>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h3 class=\"wp-block-heading\">Pozn\u00e1mka skladatele<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">V\u00fdznam tohoto d\u00edla je \u201e\u017divot a smrt\u201c.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Skladba za\u010d\u00edn\u00e1 v A a kon\u010d\u00ed v A. T\u00e9ma na za\u010d\u00e1tku se vrac\u00ed i na konec. Zat\u00edmco melodie z\u016fst\u00e1v\u00e1 stejn\u00e1, t\u00f3nina se m\u011bn\u00ed z A moll na A dur a vyjad\u0159uje \u017eivot jako zrcadlov\u00fd obraz smrti.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Prvn\u00ed takt jsem nechala pr\u00e1zdn\u00fd. M\u00e1 p\u0159edstavovat rotaci sv\u011bta &#8211; cyklus \u017eivota a smrti, kter\u00fd n\u00e1s v\u0161echny spojuje. 3\u20444 takt to pak opakuje p\u0159edstaven\u00edm kontrastu \u0161t\u011bst\u00ed a smutku.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">To, co jsem si pro p\u00edse\u0148 jako skladatelka p\u0159edstavovala, byl obraz mu\u017ee v zimn\u00edm kab\u00e1t\u011b stoj\u00edc\u00edm na zasn\u011b\u017een\u00e9 ho\u0159e, kter\u00fd uva\u017euje zda m\u00e1 ukon\u010dit sv\u016fj \u017eivot. Pozorujeme ho z nebe &#8211; skoro jako kdy\u017e ho sledujeme pomoc\u00ed sondy &#8211; abychom vid\u011bli, jak osam\u011bl\u00fd je t\u011bsn\u011b p\u0159ed smrt\u00ed.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00davodn\u00ed \u010d\u00e1st [A] funguje jako houba, absorbuje a m\u00eds\u00ed v\u0161echny r\u016fzn\u00e9 barvy a t\u00f3ny. M\u00e1 to z\u00e1m\u011brn\u011b zn\u00edt rozmazan\u011b, ale p\u0159esto si mus\u00ed zachovat svou d\u016fstojnost a discipl\u00ednu. Pozorujeme mu\u017ee z d\u00e1lky a kdy\u017e se d\u00edv\u00e1 z hory dol\u016f, je zmaten\u00fd t\u00edm, zda by m\u011bl ukon\u010dit sv\u016fj vlastn\u00ed \u017eivot. Ve skladb\u011b roste nap\u011bt\u00ed, kdy\u017e o tom uva\u017euje a uvol\u0148uje se dvakr\u00e1t v mm.8 a mm.13., kdy\u017e se rozhodne, \u017ee to za to nestoj\u00ed. Tymp\u00e1ny v mm.17 &#8211; 18 vstupuj\u00ed do hlavn\u00edho t\u00e9matu.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kdy\u017e doraz\u00edme do sekce [B], rozmazan\u00fd zvuk se stane jasn\u00fdm s p\u0159edstaven\u00edm hlavn\u00edho t\u00e9matu. \u010cernob\u00edl\u00e1 p\u0159ech\u00e1z\u00ed na \u017eiv\u00e9 pastely, kdy\u017e vzpom\u00edn\u00e1 na cel\u00fd \u017eivot v \u010d\u00e1sti [B] (nap\u0159. takty 25 &#8211; 26 mohou p\u0159edstavovat nerv\u00f3zn\u00ed a bolestiv\u00e9 vzpom\u00ednky). Sekce [C] ilustruje jeho \u0161\u0165astn\u011bj\u0161\u00ed vzpom\u00ednky. Jeho pocity jsou sm\u00ed\u0161en\u00e9, jsou ho\u0159kosladk\u00e9, ale st\u00e1le ukazuj\u00ed kr\u00e1sn\u00fd a bla\u017een\u00fd \u010das v jeho \u017eivot\u011b. Mm. 28 &#8211; 35 ho vedou k t\u011bmto \u0161\u0165astn\u011bj\u0161\u00edm vzpom\u00ednk\u00e1m, vzestupn\u00e9 linie mu p\u0159ipom\u00ednaj\u00ed v\u011bci, kter\u00e9 chce \u0159\u00edct sv\u00fdm milenk\u00e1m, rodin\u011b a p\u0159\u00e1tel\u016fm. Pocity, kter\u00e9 m\u016f\u017ee sd\u00edlet pouze jeho hlas, kter\u00fd vytv\u00e1\u0159\u00ed melodie.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Jemn\u00e9 \u010dinely v mm. 36 vedou do sekce [D], kde mu\u017e vzpom\u00edn\u00e1 jen na \u0161\u0165astn\u011bj\u0161\u00ed \u010dasy. V rytmu val\u010d\u00edku violoncello s basou v doprovodu lehce tan\u010d\u00ed v melodii a mu\u017e se ot\u00e1\u010d\u00ed jako s tane\u010dn\u00edm partnerem. Tan\u010d\u00ed s t\u011bmi, kter\u00e9 miluje. Jak p\u00edse\u0148 p\u0159ech\u00e1z\u00ed p\u0159es sekci [E] do sekce [F], mu\u017e se postupn\u011b kousek po kousku uklid\u0148uje. Rohy tyto sekce podporuj\u00ed (zejm\u00e9na v mm. 48) a housle hraj\u00ed melodii, aby vyj\u00e1d\u0159ily jeho osam\u011blost. Ostatn\u00ed n\u00e1stroje se znovu spoj\u00ed, kdy\u017e si uv\u011bdom\u00ed, \u017ee jeho \u017eivot a smrt jsou jeho vlastn\u00ed a \u017ee jim mus\u00ed \u010delit.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Nikdo pro n\u011bj nem\u016f\u017ee zem\u0159\u00edt, stejn\u011b jako nikdo pro n\u011bj nem\u016f\u017ee \u017e\u00edt sv\u016fj \u017eivot. A\u0165 u\u017e byla jeho rozhodnut\u00ed a sm\u011br \u017eivota tou nejlep\u0161\u00ed volbou nebo ne, sna\u017eil se pro sebe hledat nejlep\u0161\u00ed cestu bez ohledu na to, co se stalo. Zat\u00edmco tam byly n\u011bkter\u00e9 cesty, kter\u00e9 si nevybral a n\u011bkter\u00e9 l\u00edtosti z cest, kter\u00e9 ud\u011blal, pochopil, \u017ee \u017eivot je um\u011bn\u00ed, kter\u00e9 nem\u016f\u017eete vymazat. Nedok\u00e1zal zakr\u00fdt sv\u00e9 chyby jako mal\u00ed\u0159i &#8211; mohl se pouze pou\u010dit ze sv\u00fdch chyb a pokra\u010dovat vp\u0159ed.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sekce [G] je zanepr\u00e1zdn\u011bna, struny stoupaj\u00ed a sestupuj\u00ed r\u016fzn\u00fdmi patterny jak jsme se p\u0159enesli do jeho mysli a do minulosti. Sekce [H], [I] a [J] p\u0159edstavuj\u00ed poka\u017ed\u00e9 jinou \u010d\u00e1st jeho \u017eivota. Sekce [H] by m\u011bla p\u0159iv\u00e9st zp\u011bt jeho \u0161\u0165astn\u011bj\u0161\u00ed vzpom\u00ednky, s ozv\u011bnou v sekci [D]. Sekce [I], kde je povol\u00e1n a nem\u016f\u017ee se uklidnit, p\u016fsob\u00ed jako most mezi [H] a [J]. V sekci [J] jsou tremola dob\u0159e vystav\u011bna, aby p\u0159edstavovala zmatek v t\u00e9to \u010d\u00e1sti \u017eivota &#8211; v\u0161echna nedorozum\u011bn\u00ed, omyly a chyb\u011bj\u00edc\u00ed \u010d\u00e1sti.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kdy\u017e kone\u010dn\u011b doraz\u00edme do sekce [K], vzd\u00e1v\u00e1 se v\u0161eho. Jeho du\u0161e byla osvobozena a je p\u0159ipraven l\u00e9tat. U\u017e nen\u00ed p\u0159ipout\u00e1n ke sv\u011btu pod nohama &#8211; rad\u011bji m\u016f\u017ee prozradit sv\u00e9 rodin\u011b, p\u0159\u00e1tel\u016fm a milenk\u00e1m sv\u00e9 posledn\u00ed rozlou\u010den\u00ed stejn\u011b jako v sekci [L]. V mm. 103 &#8211; 105, se hoboje st\u00e1vaj\u00ed nejprominentn\u011bj\u0161\u00edm zvukem, ale p\u0159esto z\u016fst\u00e1vaj\u00ed sm\u00edsen\u00e9 s j\u00e1drem a st\u00e1le soust\u0159ed\u011bn\u00e9. V sekci [M] jeho duch let\u00ed v\u00fd\u0161 a v\u00fd\u0161 a tan\u010d\u00ed na obloze. Odpou\u0161t\u00ed v\u0161em lidsk\u00fdm k\u0159ivd\u00e1m a umo\u017e\u0148uje mu to svobodn\u011b stoupat tak, jak si p\u0159eje. Mm. 113 &#8211; 117 vyjad\u0159uj\u00ed tento rostouc\u00ed pocit, kdy\u017e je veden k Nebi, kde ho vol\u00e1 Je\u017e\u00ed\u0161.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Nakonec se v sekci [O] z posledn\u00edho dechu lou\u010d\u00ed se sv\u00fdmi p\u0159\u00e1teli a milenkami a jeho duch kone\u010dn\u011b spo\u010d\u00edv\u00e1. Jak jeho p\u0159\u00edb\u011bh a p\u00edse\u0148 kon\u010d\u00ed na A, p\u0159ipom\u00edn\u00e1me si, kde v\u0161e za\u010dalo &#8211; cyklus \u017eivota a smrti, \u0161t\u011bst\u00ed a smutek, dur a moll. Od popela do popela, prach k prachu, B\u016fh vy\u0159ez\u00e1v\u00e1 bo\u017esk\u00e1 stvo\u0159en\u00ed oslavuj\u00edc\u00ed toto rendezvous p\u0159\u00edchodu a odchodu.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>View in: English | Espa\u00f1ol | Fran\u00e7ais | Italiano | polszczyzna | \u010de\u0161tina| sloven\u010dina | \u0420\u0443\u0441\u0441\u043a\u0438\u0439 \u044f\u0437\u044b\u043a | \u0939\u093f\u0928\u094d\u0926\u0940 |\u0a2a \u666e\u901a\u8bdd | \ud55c\uad6d\uc5b4 |Tamazi\u0263t | Taqbaylit | Krey\u00f2l ayisyen Rendezvous m\u00e1 celkem 100 r\u016fzn\u00fdch verz\u00ed. Skladba za\u010dala v roce 2013 klav\u00edrn\u00ed verz\u00ed. Kdy\u017e jsem ji za\u010dala ps\u00e1t, bylo ji\u017e velmi pozd\u011b v noci, ale posadila&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1306","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.chaerinkim.com\/blog\/index.php?rest_route=\/wp\/v2\/pages\/1306","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.chaerinkim.com\/blog\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.chaerinkim.com\/blog\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.chaerinkim.com\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.chaerinkim.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1306"}],"version-history":[{"count":14,"href":"https:\/\/www.chaerinkim.com\/blog\/index.php?rest_route=\/wp\/v2\/pages\/1306\/revisions"}],"predecessor-version":[{"id":2293,"href":"https:\/\/www.chaerinkim.com\/blog\/index.php?rest_route=\/wp\/v2\/pages\/1306\/revisions\/2293"}],"wp:attachment":[{"href":"https:\/\/www.chaerinkim.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1306"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}